cumulate commonwealth

an illustrative study of architecture set in another Boston

LACUNA, the construct of depth

BELVEDERE, the construct of view

SEABISCUIT MEMORIAL, in memory of one horse in particular

RAMPART BOARDWALK, the construct of travel

DARK ARCHIVES, toy-box of forbidden shapes

 

Site | Program | Polemic (2018) studio by Greg Stroh

rose-colored boston AS PART OF THE CUMULATE COMMONWEALTH STUDY

Cumulate Commonwealth experiments with the notion of the found, our desire to collect, and the misconstruation of figures within architecture. The accessions of this project are the result of things that already exists in Boston. A brief survey of the city revealed aspects of the everyday: transit stations, the wharf, the monument, the church, and the rowhouse.

Selective fragments and discrete notions of each found typology are disintegrated, then mediated through the tangible forms of images, constructs, and sacred objects. These relics, in five separate forms, are proposed to be safeguarded at Suffolk Downs. This near-vacant and indolent racetrack is the historic site where Seabiscuit was discovered in 1936.

 
 

SUFFOLK DOWNS

Located in East Boston, Suffolk Downs provides a unique junction of history and potential. The selected site is a small section of the 160-acre track nestled between Orient Heights and Suffolk Station. To the east lies the last salt marsh in Boston. The west is an industrious fuel terminal zone. The well-manicured racetrack is forlorn in its obsolescence and in danger of imminent flooding. Yet, it remains idyllic in its nostalgia of previous eras of Americana.

Suffolk Downs is slated for a mixed-use zone and a contender for Amazon HQ2 with little regard for the pervading homogeny of corporate districts or sea level rise. By returning the racetrack to the marsh through preemptive flooding, architecture that is ostensibly Boston can arise as beacons from the indefinite abyss.

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5 things, 5 ways

Each found typology offers distinct information for misappropriation. The linear tunnels of the transit station, land extensions of the wharf, the façade of the rowhouse, and iconography of the church and monument. These aspects are reconfigured allowing fictions and realities to emerge through the making of illustration, constructs, near-objects, tablets, and icons.

By curating and reconfiguring architectural and civil typologies found throughout greater Boston, programmatic necessities emerge as innate qualities of thing and place. Speculation on the physical traits, cultural milieu, and an ineffable sense of place has led to five distinct Constructs: the Lacuna, Belvedere, Rampart Boardwalk, Seabiscuit Memorial, and Dark Archives.

 
 
 
 

rose-colored boston 

all is well

The objects and images are not didactic, but rather the absence of a complete picture offers a mix of the sensate, evocative, and romanticized version of each architectural instance: the crepuscular state of Seabiscuit Memorial, the lush field of the Lacuna, and the clandestine alleys of the Redlight District.

 
 
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